"Lee Israel made her living in the 1970s and 1980s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. Though Lee Israel has undeniable profiling skills, her work has grown stale and hackneyed, rendering her profession unnecessary and insignificant. Now in times of financial hardship, Israel must find other ways to make a living. With assistance from her steadfast friend, Jack, the two endeavor...

Before turning to her life of crime-running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI, Lee Israel had a legitimate career as an author of biographies. Her first book on Tallulah Bankhead was a New York Times bestseller, and her second, on the late journalist and reporter Dorothy Kilgallen, made a splash in the headlines. But by 1990, almost broke and desperate to hang onto her Upper West...

"What's real? What's fake? Why do we care? In these times of false news and fake science, these questions are even more important than ever because they hold a mirror to the unsettling reality in which we live. Fakes Forgeries and Frauds goes beyond the headlines, tweets, and blogs to explore the true nature of authenticity and why it means so much today. The book delivers nine fascinating true stories that introduce the fakers, forgers, art authenticators...

"When a slam-bang of a crime brings a beautiful new client into Stone Barrington's office, little does he know his association with her will pull him into a far more serpentine mystery in the exclusive world of art. It's a business where a rare find could make a career--and a collection--and mistakes in judgment are costly. And under its genteel and high-minded veneer lurks an assortment of grifters and malfeasants eager to cash in on the game. In...

Boston painter Claire Roth has survived financially by painting reproductions, so when influential gallery owner Aiden Markel arrives with a bizarre proposal--her own show if she will forge a copy of a Degas, one of the pictures stolen from the Isabella Stewart Gardner Museum--she says yes. As she works, Claire and Aiden become lovers, but she doesn't tell him about her discovery that the stolen Degas is itself a copy. This knowledge is Claire's lifeline...

Lunch Lady, a secret crime fighter, accompanies the Breakfast Bunch on a class trip to an art museum, but when Dee, Hector, and Terrence begin to think there is something strange afoot, she suspects nothing.

An artist born outside his time, Chaz Wilmot can paint like Leonardo, Goya, Gainsborough-and he refuses to shape his talent to fit the fashion of the day. His unique abilities attract the attention of Werner Krebs, an art dealer with a dark past and shadier present, and soon Wilmot is working with a fervor he hasn't felt in years. But his creative burst is accompanied by strange interludes-memories that are not memories . . . and he begins to wonder...

"The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything...

"August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911. Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar...

An extraordinary memoir of fortune, fraud, and the master of modern art. Art dealer Stan Lauryssens made millions in modern art, but he sold only one name: Salvador Dalí. The surrealist painter's work was a hot commodity for the newly rich, investors, and shady businessmen looking to launder their black-market cash. Stan didn't mind looking the other way; he just hoped the buyers would look the other way as well. The artworks he sold came from some...